Hampi - Kingdom of Vijayanagar Empire.

Hampi is a ancient old city built by Hakka and Bukka in the year 1336 on the banks of river Tungabhadra. It’s the capital city of Vijayanagar empire. They built the city under the guidance of Saint from Sringeri mutt called Vidyaranya. The city Hampi was built during the days of Mohammedan attacks. The palace was very much apt at that time. Hampi was chosen because of its strategic location, bounded by the torrential Tungabhadra river on one side and surrounded by defensible hills on the other three sides. It’s really difficult to any one to cross those rocks to conquer the empire at that time.

The Vijayanagar Empire was ruled by the likes of HakkaBukka I and II , Virupaksha Raya, Krishnadeva Raya, Achyuta Raya, etc. It was under Krishnadeva Raya that Vijaynagar empire found its most prosperous days.

Hampi is situated on the banks of the Tungabhadra river. It is 353 km from Bangalore, 254 km from Bijapur and 74 km away from Bellary. Hosapete, 13 km away,

Nowadays Hampi - a small village that is all that remains of the former city of Vijayanagar - is probably southern India’s most famous tourist attraction, and it’s a fascinating place.

Achyutaraya Temple/Tiruvengalanatha Temple :
 Akka Tangi Gudda
Anegondi
Anjeyanadri Hill
Aqueducts and Canals
Archaeological Museum at Kamalapura
Badava Linga
Chandramauleshwar Temple
The Kings’ balance
The Underground Temple
Tungabhadra River
Uddana Veerabhadra temple
Ugra Narasimha
Vittala temple
Yeduru Basavanna
Yentrodharaka Anjaneya temple
Zenana enclosure
Virupapura
Madhavan Palace with more than 1,000,000 pillars
Sasivekalu Ganesha
Elephant stables
Lotus temple
Virupaksha Temple :

The Virupaksha temple is located at the foot of the hill called Hemakuta, is the core of the Hampi. The temple, often called Pampapathi temple, is the most sacred of the temples of this place. Historically speaking, this temple has an uninterrupted history from about the 7th century. The temple contains the shrines of Lord Shiva, Pampa and Bhuvaneshwari. What was once a small shrine, in course of time, developed into a large complex under the Vijayanagara rulers. This temple is one of the main attractions of Hampi. This Gopura was built by Krishnadeva Raya during his Pattabhisheka (Crowning) in 1509.

Red Fort - लाल किल्ला

The Red Fort is one of the most popular tourist destinations in Old Delhi, attracting thousands of visitors every year. The fort is also the site from which the Prime Minister of India addresses the nation on 15 August, the day India achieved independence from the British. It also happens to be the largest monument in Old Delhi.

At one point in time, more than 3,000 people lived within the premises of the Delhi Fort complex. But after the Sepoy Mutiny of 1857, the fort was captured by Britain and the residential palaces destroyed. It was made the headquarters of the British Indian Army. Immediately after the mutiny, Bahadur Shah Zafar was tried at the Red Fort. It was also here in November 1945, that the most famous courts-martial of three officers of the Indian National Army were held. After India gained independence in 1947, the Indian Army took control over the fort. In December 2003, the Indian Army handed the fort over to the Indian tourist authorities. Today, a sound and light show describing Mughal history is a tourist attraction in the evenings.

History :
Mughal Emperor Shahjahan started construction of the massive fort in 1638 and work was completed in 1648. The Red Fort was originally referred to as "Qila-i-Mubarak" (the blessed fort), because it was the residence of the royal family. The layout of the Red Fort was organised to retain and integrate this site with the Salimgarh Fort. The fortress palace is an important focal point of the medieval city of Shahjahanabad. The planning and aesthetics of the Red Fort represent the zenith of Mughal creativity which prevailed during the reign of Emperor Shah Jahan. This Fort has had many developments added on after its construction by Emperor Shahjahan. The significant phases of development were under Aurangzeb and later Mughal rulers. Important physical changes were carried out in the overall settings of the site after the First War of Independence during British Rule in 1857. After Independence, the site experienced a few changes in terms of addition/alteration to the structures. During the British period the Fort was mainly used as a cantonment and even after Independence, a significant part of the Fort remained under the control of the Indian Army until the year 2003.

The Red Fort was the palace for Mughal Emperor Shah Jahan's new capital, Shahjahanabad, the seventh greatcity in the Delhi site. He moved his capital from Agra in a move designed to bring prestige to his reign, and to provide ample opportunity to apply his ambitious building schemes and interests.

The fort lies along the Yamuna River, which fed the moats that surround most of the wall. The wall at its north-eastern corner is adjacent to an older fort, the Salimgarh Fort, a defense built by Islam Shah Suri in 1546.The construction of the Red Fort began in 1638 and was completed by 1648.

On 11 March 1783, Sikhs briefly entered Red Fort in Delhi and occupied the Diwan-i-Am. The city was essentially surrendered by the Mughal wazir in cahoots with his Sikh Allies. This task was carried out under the command of the Sardar Baghel Singh Dhaliwal of the Karor Singhia misl.

The last Mughal emperor to occupy the fort was Bahadur Shah II "Zafar". Despite being the`seat of Mughal power and its defensive capabilities, the Red Fort was not defended during the 1857 uprising against the British. After the failure of the 1857 rebellion, Zafar left the fort on 17 September. He returned to Red Fort as a prisoner of the British. Zafar was tried on in a trial starting on 27 January 1858, and was exiled on 7 October.

On 15 August 1947, India became an independent nation. This was marked by Jawahar Lal Nehru, the Prime Minister of India, unveiling the flag of independent India on 15 August 1947. This practice of unfurling the national flag with a speech by the Prime Minister on Independence Day continues to this day. Just after World War II, the Red Fort had been the scene of the famous trial of the Indian National Army.

Important Buildings Inside Fort :
Beyond this gate is another, larger open space, which originally served as the courtyard of the Diwan-i-Aam, the large pavilion for public imperial audiences with an ornate throne-balcony (jharokha) for the emperor. The columns were painted in gold and there was a gold and silver railing separating the throne from the public.

Diwan-i-Khas :
The Diwan-i-Khas is a pavillon clad completely in marble, the pillars decorated with floral carvings and inlay work with semi-precious stones. Shah Jahan had a horse to play catch the dogs who mewed all day along.

Nahr-i-Behisht :
The imperial private apartments lie behind the throne. The apartments consist of a row of pavilions that sits on a raised platform along the eastern edge of the fort, looking out onto the river Yamuna. The pavilions are connected by a continuous water channel, known as the Nahr-i-Behisht, or the "Stream of Paradise", that runs through the center of each pavilion. The water is drawn from the river Yamuna, from a tower, the Shah Burj, at the northeastern corner of the fort. The palace is designed as an imitation of paradise as it is described in the Koran; a couplet repeatedly inscribed in the palace reads, "If there be a paradise on earth, it is here, it is here". The planning of the palace is based on Islamic prototypes, but each pavilion reveals in its architectural elements the Hindu influences typical of Mughal building. The palace complex of the Red Fort is counted among the best examples of the Mughal style.

Zenana :
The two southernmost pavilions of the palace are zenanas, or women's quarters: the Mumtaz Mahal (now a museum), and the larger, lavish Rang Mahal, which has been famous for its gilded, decorated ceiling and marble pool, fed by the Nahr-i-Behisht.

Moti Masjid :
To the west of the hammam is the Moti Masjid, the Pearl Mosque. This was a later addition, built in 1659 as a private mosque for Aurangzeb, Shah Jahan's successor. It is a small, three-domed mosque in carved white marble, with a three-arched screen which steps down to the courtyard.

Hayat Bakhsh Bagh:
To its north lies a large formal garden, the Hayat Bakhsh Bagh, or "Life-Bestowing Garden", which is cut through by two bisecting channels of water. A pavilion stands at either end of the north-south channel, and a third, built in 1842 by the last emperor, Bahadur Shah Zafar, stands at the center of the pool where the two channels meet.

Shri Mahalakshmi Temple -

The Shri Mahalakshmi Temple of Kolhapur in Maharashtra, India, is one of the Shakti Peethas, listed in various puranas of Hinduism. According to these writings, a shakti peetha is a place associated with Shakti, the goddess of power. The Kolhapur peetha is of special religious significance, being one of the six places where it is believed one can either obtain salvation from desires or have them fulfilled. The temple takes its name from Mahalakshmi, the consort of Vishnu, and it is believed that the divine couple reside in the area.

The temple belongs, architecturally, to the Kannada Chalukya empire, and may have been first built circa 700 AD. Mounted on a stone platform, the image of the four armed and crowned goddess is made of gemstone and weighs about 40 kilograms. The image of Mahalakshmi carved in black stone is 3 feet in height. The Shri yantra is carved on one of the walls in the temple. A stone lion, the vahana of the goddess, stands behind the statue. The crown contains an image of the Sheshnag — the serpent of Vishnu. In Her four hands, the deity of Mahalakshmi holds objects of symbolic value. The lower right hand holds a mhalunga (a citrus fruit), in the upper right, a large mace (kaumodaki) with its head touching the ground, in the upper left a shield (khetaka), and in the lower left, a bowl (panpatra). Unlike most Hindu sacred images, which face north or east, the image of this deity looks west (Pashchim). There is a small open window on the western wall, through which the light of the setting sun falls on the face of the image for three days around the 21st of each March and September.

There are a number of other shrines in the courtyard to the Navagrahas, Surya, Mahishasuramardini, Vitthal-Rakhmai, Shiva, Vishnu, Tulja Bhavani and others. Some of these images date back to the 11th century, while some are of recent origin. Also located in the courtyard is the temple tank Manikarnika Kund, on whose bank is a shrine to Visweshwar Mahadev.

Worship Structure:
Five worship services are offered each day. The first one is at 5 am, and it involves the waking of the deity with a Kakada - torch, to the accompaniment of hymns. The second worship service at 8 am involves the offeirng of the Shodashopachara pooja consisting of 16 elements. The afternoon and evening services and the Shejaarati pooja constitute the three other services.

Special Events:
A festival image of the deity is taken out in procession around the temple courtyard each Friday, and on full moon days.

Festival :
It is not surprising that even the rays of a setting sun pay homage to Goddess Mahalakshmi as the life of human being revolves around illumination and prosperity. But it is the wonder of wise architects who built the temple of Mahalakshmi at kolhapur that the rays of the setting Sun, bow at the feet of the Goddess through a window, for a while before vanishing. This special event is celebrated by thousands of people as ‘KiranUtsav’. Every year this festival is celebrated on the following days at evening: 31 January 1 February 2 February 9 November 10 November 11 November.

How to Reach :
Kolhapur is located in Kolhapur district and is well connected with Pune, 240 km north. It is on the national highway between Bangalore and Pune. It is situated on the banks of the Panchganga river and is full of ancient temples and shrines.

The four Shakti Peethas of Maharashtra are Tuljapur enshrining Bhavani, Kolhapur enshrining Mahalakshmi, Mahur enshrining Mahamaya Renukaand Saptshringi enshrining Jagadamba. Other Shakti temples in the state are those at Ambe Jogai and Aundh.

Kala Ghoda Arts Festival

The Kala Ghoda Arts Festival is an annual festival, usually around nine days long, held in late January or early February, in the Kala Ghoda area of South Mumbai, India.

From its inception in 1999, the Festival has grown in stature and popularity, attracting visitors and participants from other parts of the country, and the world.

The Festival is organised by the Kala Ghoda Association (a non-profit organisation that states its objectives as "physically upgrading the Kala Ghoda sub-precinct and making it the Art District of Mumbai") and curated by teams handling each of the sub-festivals.

The sub-festivals feature the visual arts, dance, music, theatre, cinema, literature, lectures, seminars and workshops, heritage walks, special events for children, and a vibrant street festival. Entry to all events is free to all (only restricted by the size of the venues) and costs are met through corporate sponsorship. Venues include The Jehangir Art Gallery, The National Gallery of Modern Art, the David Sassoon Library, Max Mueller Bhavan, Elphinstone College, the K R Cama Institute, the M C Ghia Hall, and the street area of Rampart Row. Rampart Row is closed off to vehicular traffic for the duration of the festival, with the entire area becoming a street mela, with food stalls, artisans selling their creations, artists who sketch instant portraits, street art installations and the like. In recent years, the Festival has expanded beyond the Kala Ghoda crescent, with events being held in Azad Maidan and Horniman Circle as well.

The success of the Kala Ghoda Arts Festival has, arguably, encouraged the setting up of several other arts and cultural festivals at that time of the year, when the weather in Mumbai is cool and the sun sets early.

Venue:                 Near Jehangir Art Gallery, Mumbai
Time:                   Every Sunday (from January to February)
Highlights:          Arts & Crafts
Organized by:     Kala Ghoda Association

Kamakhya Temple - Guwahati

The Kamakhya Temple is a shakti temple situated on the Nilachal Hill in western part of Guwahati city in Assam, India. It is the main temple in a complex of individual temples dedicated to different forms of the mother goddess as the Dasa Mahavidya, including Bhuvaneshvari, Bagalamukhi, Chinnamasta, Tripura Sundari and Tara. It is an important pilgrimage destination for general Hindu and Tantric worshipers.

Kamakhya Mandir is easily accessible at a stretch of 8 kms from Guwahati. The temple commemorates Hindu Goddess Sati in her aspect of Kamakhya Devi. Goddess Kamakhya is also known as Sodashi in the local region.

Kamakhya Temple is regarded as one of the 51 Shakti Peethas. As per the legends, during the time of self-sacrifice, the genital organ (yoni) of Sati fell at this spot. Kamakhya Mandir is a natural cave with a spring. In order to reach the temple, one has to take a flight of steps that goes down into a dark and strange shrine. There is no concrete form of goddess inside the temple.

The current temple structure was constructed in 1565 by Chilarai of the Koch dynasty in the style of medieval temples. The form of the earlier structure, destroyed by the Kala Pahar, is unknown. The current structure has a beehive-like shikhara with delightful sculptured panels and images of Ganesha and other Hindu gods and goddesses on the outside.The temple consists of three major chambers. The western chamber is large and rectangular and is not used by the general pilgrims for worship. The middle chamber is a square, with a small idol of the Goddess, a later addition. The walls of this chamber contain sculpted images of Naranarayana, related inscriptions and other gods.The middle chamber leads to the sanctum sanctorum of the temple in the form of a cave, which consists of no image but a natural underground spring that flows through a yoni-shaped cleft in the bedrock. During the Ambuvaci festival each summer,the menstruation of the Goddess Kamakhya is celebrated. During this time, the water in the main shrine runs red with iron oxide resembling menstrual fluid.

It is likely that this is an ancient Khasi sacrificial site, and worshiping here still includes sacrifices. Devotees come every morning with goats to offer to Shakti.

The Kalika Purana, an ancient work in Sanskrit describes Kamakhya as the yielder of all desires, the young bride of Shiva, and the giver of salvation.Shakti is known as Kamakhya.

Worship :
The Kamakhya Temple in Assam symbolizes the "fusion of faiths and practices" of Aryan and non-Aryan elements in Assam. The different names associated with the goddess are names of local Aryan and non-Aryan goddesses (Kakati 1989, p38). The Yogini Tantra mentions that the religion of the Yogini Pitha is of Kirata origin. According to Banikanta Kakati, there existed a tradition among the priests established by Naranarayana that the Garos, a matrilineal people, offered worship at the Kamakhya site by sacrificing pigs (Kakati 1989, p37).

The goddess is worshiped according to both the Vamachara (Left-Hand Path) as well as the Dakshinachara (Right-Hand Path) modes of worship (Kakati, 1989 p45). Offerings to the goddess are usually flowers, but might include animal sacrifices. In general female animals are exempt from sacrifice, a rule that is relaxed during mass sacrifices (Kakati 1989, p65).

Legends:
According to the Kalika Purana, Kamakhya Temple denotes the spot where Sati used to retire in secret to satisfy her amour with Shiva, and it was also the place where her yoni fell after Shiva danced with the corpse of Sati (Kakati 1989, p34). This is not corroborated in the Devi Bhagavata, which lists 108 places associated with Sati's body, though Kamakhya finds a mention in a supplementary list (Kakati, 1989, p42). The Yogini Tantra, a latter work, ignores the origin of Kamakhya given in Kalika Purana and associates Kamakhya with the goddess Kali and emphasizes the creative symbolism of the yoni (Kakati, 1989 p35).

Festival :
During the occasion of Navratri (Sep-Oct), a three day festival attracts thousands of pilgrims. This festival is known as Ambuvaci (Ameti), which is unique with its own significance. For the duration of this fertility festival, the Goddess is said to undergo her menstrual period. At this point of time, the temple is closed for three days and before closing, white sheets are draped inside the temple.